While perusers vicariously follow the excursions of characters in most anecdotal classification pieces, they regularly have an extra influence in the homicide puzzle one-to be specific, they try to decide the killer and his inspirations, alongside, if not previously, the criminologist does in great versus-insidious plots.
“… A secret is an intricate riddle deliberately developed to perplex the perusers, and… the scholars of puzzles are playing such a game with their perusers, concealing hints on display, introducing presumes who couldn’t have done the homicide, yet go about as though they did… so the peruser will go down what probably will be an inappropriate way,” as per James N. Frey in his book, “How to Write a Damn Good Mystery” (St. Martin’s Press, 2004, p. 2). “The investigator in a puzzle quite often beats the peruser at the round of who-dun-it.”
Sorts OF MYSTERIES:
There are a few sorts of puzzles.
- 10 เรื่องลี้ลับ Comfortable: The comfortable riddle, epitomized by Agatha Christie, kills every violent detail and spotlights rather on figuring out who was behind the homicide. Her two investigators, Hercule Poirot and Miss Marple, individually utilize coherent and passionate thinking.
2). Proficient investigator: The expert investigator type includes, as its assignment infers, a criminologist prepared to attempt such insightful work.
3). Novice detective: Particularly when police have neglected to illuminate the wrongdoing or misjudge the proof, beginner investigators, since they have close associations with the person in question, meet people’s high expectations and take on the examination themselves.
4). Police procedural: Police procedural secrets utilize verifiable police division structures, techniques, and conventions, requiring experience or critical information for the creator to attempt. Ed McBain’s 87th Precinct books depict the functions of a major city, fictionalized police division.
5). Legitimate/clinical: “Legal counselors and specialists make viable heroes, since they appear to exist on a plane far over most of us,” composed creator Stephen D. Rogers. “Albeit well known, these stories are generally written by real legal advisors and specialists because of the requests of the data introduced.”
6). Tension: While all homicide secrets are portrayed by this very perspective, the explicitly assigned anticipation adaptation offers a curve. Rather than the criminologist seeking after the lowlife, who is as of now uncovered in this sort, the scalawag seeks after him, leaving the peruser to follow the story to perceive what traps he will fall into and whether he will rise alive from them.